What we see in the paintings of Gerald-Maria Stecker in his last creative phase are abstract realities that originate from the artist's personal world of imagination. There would be no sense in trying to add concepts from the representational world to these realities, because it was fully consciously intended by the artist not to allow such a thing. He did not want us to recognise objects of our everyday life in these colours and forms, but he wanted to guide us to learn to accept purely spiritual realities as such.